Recently I wrote a list of books that influenced my writing and I thought it would be interesting to pose a question to my writing group, The Guttery. Tell me about a book or author that inspires your writing. The Guttery responses were (not) surprising.
Bruce Greene's writing scratches like fingernails down the vertebrae of class and culture. Listen to the performance, Love Outlives Us, and you'll appreciate that the writers who influenced Bruce were Kenneth Patchen and John Steinbeck. Bruce claims that he likes them both because they tackle "big ideas and are thought provoking." Bruce does too. His "Goldfish" piece read in the Moonlit Guttery's reading of Love Outlives Us uses the metaphor of a harmless goldfish to pry open the box of the Vietnam war. My mother, whose brother's life was shattered by his three tours in Vietnam, could not sleep after listening to Bruce read his piece. She told me that Bruce's story gave her a new perspective on her brother's life and the cultural forces that led to his decision to do three tours. Bruce has published his memoir of his Vista years on the web, Above This Wall. Here is an excerpt from Bruce's memoir. It is a section of his statement of conscientious objections to his Vietnam Conflict draft board:
To be sure, I have been influenced by the great thinkers of non-violence, Gandhi and Martin Luther King, however, my increased interest in poetry led me to my most profound influence, the American poet Kenneth Patchen. Patchen’s works encompass the totality of my religious beliefs.
There is only one truth in the world:
Until we learn to love our neighbor,
There will be no life for anyone,
Force cannot be overthrown by force,
To hate any man is to despair of every man,
Evil breeds evil—the rest is a lie:
There is only one power that can save the world—
And that is the power of our love for all men everywhere.
When A. Molotkov (Tola) told me that Milan Kundera was his one author, a felt a thrill of recognition. Tola said of Kundera, "I love his capability to be modern and innovative, to play with the narrative and with character development, all the while discovering poignant human truths that are relevant to all." This, is Tola's writing. He's pushed and sifted enough sand to create a world in which all his character and two in particular, Zungvilda and Goombeldt, attempt to stand. From Tola's work The Melting Hourglass:
Goombeldt walks in
folding his umbrella
why is he carrying an umbrella?
it’s not raining.
As with Kundera's writing, that's the point--why do we carry an umbrella when it is not raining? How is it that we stand on such sticky, stilted ground?
Cameron McPhearson Smith writes that his favorite book is Craig Childs and his book The Secret Knowledge of Water. If you haven't read Childs' book, it is a fascinating, poetic adventure of man's inexhaustible pursuit of water sources in the desert. Cam writes that Childe's book is "inspiring because every word is so carefully picked; the book is a lesson in craftsmanship." Cameron is an adventurer whose writing strives to include the reader in Cam own sense of wonder and fascination with nature. In this recent excerpt from Cameron's blog, his prose is as haunting, poetic, and evocative as Childs:
Funny that when the stars come out, we go in, and sleep, and dream...sometimes of the stars or of impossible distances, or of near-infinite energies, or of other infinitudes. Then, as the stars are winking out, we wake and step outside, the lit sky blocking our view and thoughts of a larger universe.
David Cooke was the last to share his favorite writer: Mikhail Afanasyevich Bulgakoy's Master and Margarita. This book was called THE masterpiece of the twentieth century by The Times of London. Having not read it yet,--I ordered it at Powell's Books online yesterday--I can't speak to the parallels between Bulgakov's writing and David's; however, in reading about this novel I found a similar trait. Allusion. One of the novel's predominate themes is good versus evil made through heavy allusions to Faust. This reminded me of David and his use of allusion and his love of grand themes. In the first stanza in his prize winning poem Edges, the allusions transcend the experience of one life to an exploration of our lives.
I don’t know where to start. Far before the moon pulled the tide
to your chin. Before your groin became a grotto. Before the brine
washed away the haloes your feet squeeze into the sand. I don’t
believe in the alchemy of eels and their mud.